Month: September 2015

  • An Incomplete Guide to Sicily in Quotes & Pictures

    Valle dei Templi (Valley of the Temples), Agrigento, Sicily

    “The climate’s delicate; the air most sweet.
    Fertile the isle, the temple much surpassing
    The common praise it bears.”
    — Shakespeare

    I could write—and, indeed, have written—many pages about Sicily. However, I’m hardly the first person to be taken with the island’s complex history, natural beauty and unique charms, so for a change I would like to share the words of other writers, whose perspectives, combined with pictures from my recent visit, make for a woefully incomplete (but very poetic) look at the place. I hope it may whet your appetite for more, as I never tire of convincing people to visit!

    Scala dei Turchi (Stair of the Turks), Realmonte, Sicily.  
    “Ho capito che la Sicilia è molto più complessa di quello che si può pensare: la paragonerei ad una cipolla dai molti strati.” — Paco Ignacio Taibo II
    (“I have understood that Sicily is much more complex than one might think: I would compare it to an onion of many layers.”)
    Cattedrale di San Givanni Battista, Ragusa.
    “Sicily has suffered 13 foreign dominations from which she has taken both the best and the worst. The sequence of different cultures has made Sicily a fascinating place, quite unlike any other.” — Andrea Camilleri
    Valle dei Templi.

    “This is the homeland of the Gods of Greek mythology. Near these places, Pluto abducted Persephone from her mother. In this wood we just walked through, Ceres ceased her swift running and tired of her fruitless search, sat on a rock, and despite being a goddess, she wept, the Greeks say, since she was a mother. In these valleys, Apollo pastured his flocks; these groves, stretching down to the seashore, have echoed with Pan’s flute; the nymphs got lost under their shade and breathed their scent. Galatea fled from Polyphemus and Acis, close to succumbing to the blows of his rival, enthralled these shores leaving his name here … In the distance you can see the lake of Hercules and the rocks of the Cyclops. Land of gods and heroes!” — Alexis De Tocqueville

    Valle dei Templi.

    “Sicily is more beautiful than any woman.”
    Truman Capote

    Valle dei Templi.
    “Il siciliano è il prodotto di un territorio che non è un pezzo staccato d’Italia, che non ha mai fatto parte di alcuna parte del mondo in epoca storica, che è stato occupato da nord, sud, est, ma mai è stato assimilato, l’isola in cui niente è stabile se non il movimento, il non-stabile, dove un giorno distrugge quanto l’altro giorno ha costruito, dove vulcanismo e nettunismo sono continuamente all’opera, dove un giorno trasforma la storia di secoli.” — Paul Yorck von Wartenburg

    (“The Sicilian is the product of a territory that is separate from Italy, that has never been part of any part of the world in any period of history, that has been occupied by the North, South, East, but never assimilated, the island in which nothing is stable except movement, non-stability, where one day destroys that which another the other day built, where volcanic and marine forces are always at work, where one day transforms the history of centuries.”)

    “Sicilians build things like they will live forever and eat like they will die tomorrow.” — Plato

    Valle dei Templi.

    “For over twenty-five centuries we’ve been bearing the weight of superb and heterogeneous civilizations, all from outside, none made by ourselves, none that we could call our own.”

    This violence of landscape, this cruelty of climate, this continual tension in everything, and even these monuments of the past, magnificent yet incomprehensible because not built by us and yet standing round us like lovely mute ghosts; all those rulers who landed by main force from every direction who were at once obeyed, soon detested, and always misunderstood, their only expressions works of art we couldn’t understand and taxes which we understood only too well and which they spent elsewhere: all these things have formed our character, which is thus conditioned by events outside our control as well as by a terrifying insularity of mind.”

    ― Giuseppe Tomasi di Lampedusa

    Sunset from a lighthouse.
    “I was enchanted… the limpidity of the sky, the restless splendor of the sun, the beauty of the countryside, a certain excitement of the fantasy…which brought to mind the time when in the fields one encountered the divine.” — Jean Houel

    Ragusa Ibla, Sicily

    “In Sicilia abbiamo tutto. Ci manca il resto.” — Pino Caruso
    (“In Sicily we have everything. We’re just missing the rest.”)


    Valle dei Templi.
    “Noi fummo i Gattopardi, i Leoni; quelli che ci sostituiranno saranno gli sciacalletti, le iene; e tutti quanti gattopardi, sciacalli e pecore, continueremo a crederci il sale della terra.”

    (“We were the Leopards, the Lions; those who will replace us will be little jackals, hyenas; and all of us Leopards, jackals and sheep, we’ll go on thinking ourselves the salt of the earth.”)
    ― Giuseppe Tomasi di Lampedusa

    Macalube, Aragona, Sicily.

    “Per me la Sicilia ha una luce particolare, qualcosa di primordiale. Io non sono nato in Sicilia anche se mia madre è di Palermo. È come se con questa terra ci fosse un richiamo anche più lontano della mia esistenza, che appartenga alla mia memoria. Scrivo volentieri qui, c’è un’aria speciale, istintiva. Non mi va neanche di dargli un nome sennò darei dei confini che non ha.” — Emanuele Crialese

    (“For me, Sicily has a particular light, something of the primordial. I wasn’t born in Sicily even though my mother is from Palermo. It’s as if with this land were a recollection even further back in my existence, which belongs to my memory. I write often here, there’s a special atmosphere, instinctive. I do not even give it a name, as to do so would give it boundaries which it does not have.”)
    Scala dei Turchi.

    “There it was again: the sweeping verbal gesture magnified in the prism of Sicily, the pronouncement so poetic it nullified any arguments before they could take their first breath. The vines, the amphorae, the thousands of years of history, the palmenti, the volcano, the beauty, the power of it all. In Italy, of course, beauty is next to holiness. Sicily was long the most treasured daughter of the Mediterranean. So who can teach Sicily anything about beauty?” — Robert Camuto

    Fountain, Ragusa, Sicily.

    “All of Sicily is a dimension of the imagination.” — Leonardo Sciascia

    “Raccontano, infatti, che secondo il mito la Sicilia è sacra a Core poiché qui avvenne il suo rapimento e perché l’isola fu offerta alla dea come dono di nozze.” — Plutarco
    (“They say, in fact, that according to legend Sicily is sacred to Persephone since her abduction took place here and because the island was offered to the goddess as a wedding gift.”)

    Train tracks at the edge of the Valle dei Templi.

    “And anyone who has once known this land can never be quite free from the nostalgia for it.” — D. H. Lawrence

    *** 
    [All translations mine. :)]
  • What is this Feeling? …Nostalgia??

    Stunning views from my seat flying Catania, Sicily to Istanbul (on my way to Stockholm…
    I should not have opted to fly that way, and now I have no luggage… ah, well… collateral.)

    Lately, I’ve been experiencing a sentiment I’ve never known before.

    A strange tightening in my chest when it’s time to pack.

    An odd sensation as I watch the ground shrink below me during take-off.

    An unfamiliar twinge as I lift my hand to wave goodbye.

    I feel excited to be continuing on to the next place—of course, that goes without saying, and, I suspect, will never change.

    And yet… and yet…

    I think I would call it nostalgia, this new feeling.

    First it was Zanzibar, and now Sicily.

    Maybe I’m growing sentimental in my old age. (Just kidding—my old age is a long, long way away!) Maybe I’m allowing the places (or these people… or these lives, discretely wrapped packages of time, space and possibility) I briefly inhabit to reach a little bit deeper than I used to—sending out just the finest roots beneath my skin.

    Or maybe it’s an inevitable side-effect, which has simply run unrecognized along the sidelines up until now.

    Wherever it comes from, this nostalgia weaves a duskier hue at the edges of my leave-takings. A slight reluctance (never stronger than the bolder urge to continue on, but there nonetheless). A bittersweet recognition that I may in fact miss this place (these people… this time… this particular configuration of life)—that I was happy here.

    It’s the taste of the last sip of hot chocolate, and the color of the faded corner of a photograph. Savoring. It’s the feeling of lingering before standing up to leave a cafe… and it adds, I think, a lovely dimension to each journey onward—a depth, a balance to anticipation.

    While this feeling—this nostalgia—is unfamiliar to me, I welcome it. I acknowledge it (for it undoubtedly deserves its place in the scheme of things), and then I leave it beside the photographs, memories and written pages—where it belongs.

    So. Nolstalgia… welcome to the adventure!

    ***
    Greetings from Stockholm, Sweden, where I am visiting my oldest friend for the week. My luggage is dwelling in Istanbul at the moment, but I will be sharing some amazing shots from Sicily as soon as it finds it’s way over here!
    ***
  • Being versus Seeing


    So, what are you doing here?

    They say it kindly—with honest curiosity—and they say it in Italian, but that is the question.

    The woman at the cheese shop who patiently helps me taste 10 local varieties before wrapping up my selections. The barista at the cafe on the large piazza near my apartment. The elderly gentleman who insists on guiding me through the steep valley from Ragusa (the newer city where I stay) to Ragusa Ibla (the old medieval part of town).

    They want to place me, and I want to help them.

    Entering the valley.

    I explain, in as few words as possible, my work-travel creation. That is, more working than traveling; more living than exploring.

    And, sheepishly, I recall inwardly how disappointing a tourist I have been…

    I managed to climb the bell tower of the main cathedral. I spent an hour in Modica, one of the next towns over, tasting chocolate made the traditional (unbelievably delicious) way and eating granita. I’ve visited a few beautifully restored churches (a huge earthquake in 1693 destroyed most of the older architecture, and I’ve wandered many of the small, hilly streets, eating gelato, canoli or any other treats I stumble upon. I have the good fortune to be staying with two teachers, and have attended a few dinners, lectures and expositions with them, too.

    Cattedrale di San Giovanni Battista (and the piazza)

    It’s not nothing, but it’s not much, considering I’ve been here 10 days already. Compared to past trips, when I managed to cover as many countries in a month and spent entire days on an expedition to see a city from top to bottom, it’s not much at all.

    What’s changed? Quite a bit…

    These days, I don’t have so much free time.

    Between trying to regain a daily yoga practice after injuring my hip, working six to seven hours, chatting with my hosts (my Italian gets better by the minute!), cooking all my meals and trying to write besides, I watch my days fill up fast.

    Most days, I’m happy to get a walk in, a visit to the market and maybe an hour at a cafe.

    In the valley: gate to nowhere.

    So when I feel “guilty” for not doing or seeing as much as I can while I’m in this new town—this place I’ve never been before—I gently remind myself that actually, I’m not here to visit, to tour, or to see.

    I am here to be.

    Not, I am in Ragusa to ____.

    Rather, I am in Ragusa.

    That’s all.

    Ragusa Ibla.

    It’s a subtle shift, but it relieves some of that odd pressure of being a tourist or traveler—here to see, absorb and record as much as possible.

    And I find I am only capable of this shift because I have “an excuse.” I’m working, I’m not on vacation, I’m girando (moving around), but I’m not a tourist… blah, blah blah. Excuse or no excuse, maybe this is the way to do it—for me. (You can do it however is the right way for you, of course.)

    Seeing what I see and doing what I manage to do, but moving my focus away from quantity of recordable events, I can experience my existence here without expectations. The same way I would anywhere, without the badge of “travel” tacked onto the box where I store and process those stories.

    What does it mean to focus on “being” in a place, rather than “seeing” a place?

    Well, that’s what I’m figuring out right now… I’ll let you know.

    Ragusa Ibla.

    ***