Category: Africa

  • The Dhow

    [The following is an adaptation of a piece I recently published at elephant journal, “Facing Fear in Handstand.” Or maybe the piece in elephant is an adaptation of this, as this is a near exact excerpt from my travel journal. Either way, enjoy!]

    ***

    I swim to the Dhow—a traditional Arab/East African (/originally Chinese?!) sailing vessel—anchored in Kilifi Creek. I alternate between front and back crawl, and though it only takes a couple minutes, it feels much longer, as is always the case with swimming.

    The Dhow (named musafir, Arabic for traveller) is unfinished. Three years in the making, the boat has a bit of work remaining. The deck boards wobble and gape in places.

    The ship’s builder, a Frenchman with a feather in his dreads, is leaving when I arrive. I hoist myself up the rope ladder that dangles into the water, then he lets himself down into a waiting dingy.

    Alone now, save for a snoozing workman at the bow, I make my way to a single plank of wood jutting out at the back of the boat and sit down. The four o’clock sun is still hot on my skin; it dries the seawater on my arms, leaving a salty film.

    I think about jumping into the water, but delay a while yet. I watch, fascinated, the journey of a single fish. He looks like a seahorse stretched out flat: long, pointy snout, eyes on the side of his equestrian head, mint green and brown body, undersized blue tail fin. He plies the water two meters below my feet.

    A dog barks from shore and reminds me I have something to do.

    I probably stand on that wooden plank a full five minutes thinking. Thinking how I could just climb back down the rope ladder, but I won’t. Because I have something to prove. Not to anyone else—the small beach is deserted—but to myself. Thinking how I feel the need to jump off boats and bridges precisely because it scares me so.

    Some people will always turn back to the rope ladder, but I am no longer one of them, I think. I have decided to be “fearless.” A better word, however, might be “fear-defying.” I refuse to abide by my fears.

    I am thinking how fearlessness, or courage, rather, is not the absence of fear. It is doing things anyway. I hope I always will.

    And I jump, of course. The water is warm-cool after the heat of the sun, and it rearranges itself effortlessly around my body.

    And of course, the jump is a non-event. Nothing of note has happened, and yet I am pleased enough to write all about it. I swim back to shore with a smile on my face. It’s the little things, after all…

    ***
  • When the Power Goes Out (a poem for quiet moments)

    When the Power Goes Out (a poem for quiet moments)

    I wrote this during one of Kenya’s (frequent, albeit brief) power outages. Though inconvenient, I find they can offer some much-needed respite from the constant activity that light, connectivity and music demand. They leave a bit of space for reflection…


    When the Power Goes Out: Quiet

    When the power goes out,
    I return home to pen and paper
    and write by the glow of a single
    (electronic) lantern on the bar.
    When the power goes out,
    the hum of never-ending action pauses,
    and I can hear the wind in the leaves
    and the whine of mosquitoes—
    Magic stillness.
    When the power goes out,
    Quiet touches the darkness
    with its fingertips
    and wraps around my mind.
    When the power goes out,
    I take a deep breath,
    wonder—for a moment—what to do,
    And smile.


    Power outages, delays, mistakes… so many blessings in disguise. Don’t you think?

  • The Paradise Mask

    Diani Beach, South Coast, Kenya, 4.3222° S


    “Everybody—everybody who is escaping from something ends up in Diani. Shady people, criminals, expats… everybody.”

    Such was the prognosis of a Diani resident and regular at the South Coast Backpackers bar (where I have been working for the last three weeks), and I am inclined to believe he is right.
    Though it doesn’t seem it outright—packed with tourist shopping centers and hotels as it is—Diani Beach is kind of a final frontier. A “la-la land” for expats and Kenyans alike escaping from their pasts—or simply fleeing the big cities (“Nairobbery,” I have learned, is actually a common nickname for Nairobi). A no-man’s land where many normal social conceits do not seem to reach.
    What does that mean? Allow me to illustrate:
    Here in Diani Beach you have the “beach boys,” the name by which everyone—and I mean everyone—calls the men who pass their time at the beach, either trying to sell something—coconuts, jewelry, boat trips, sunglasses, aloe leaves, safaris and anything else you can or can’t think of—or just loitering… or betting on a Roulette of foreign women. They almost always lose that bet… after all, only so many women will respond kindly to verbal assault: Hey! Beautiful-lady-how-are-you-Where-are-you-going? Why-you-don’t-want-to-talk-you-are-very-beautiful.
    Local bars, however, are brimming with those who have won. Young Kenyan men and women share cocktails and seductive glances with much, much older foreign women and men. The Kenyan men wear their good fortune with a touch of arrogance, while the women adjust their skin-tight dresses and scan the room for something better.
    Residents and long-term visitors prove a bottomless repository of stories—bar brawls, unsavory characters, intrigue—leading a new arrival to wonder how Diani manages to appear so… idyllic. The ever-swaying palm trees, smoldering white sand, jewel-toned water and algae, beachfront thatch-roofed restaurants and resorts, technicolor kites speckling the sky, two resident Diani Beach camels—it all belies a much less serene, much duskier palette of hidden shadows and secrets… Or so it would seem.
    She who ventures out at night must not walk along the road for pickpockets; must be wary of piki pikis and taxis for drunk drivers; must avoid matatus for questionable passengers.
    A guest in a five-star, gated compound on Diani Beach might easily—very easily; too easily—forget that Kenyan law allows for detention in jail up to one year on suspicion of terrorism; might refuse to acknowledge that police checkpoints on roads are no more than systematized bribery collection centers; might overlook the streets lined with garbage and the fact that most of the young local women at the bars are probably prostitutes.
    Here is a carefully imagined idea of a paradisiac tropical hideaway spread like a semi-translucent shroud atop the reality of Kenya: corruption and a starving tourism industry. At times (most of the time, even), I have certainly overlooked it all, lulled into la-la land by the breeze and the sun and the sand and the coconuts.

    But then again, Diani Beach is hardly unique in these regards. What earth-bound paradise is truly what it pretends to be?
    ***

    ***
  • The Gift

    Several days ago, I sat in a matatu (bus) plying the main road of Diani, Kenya. On my way to Diani Beach Hospital for a precautionary Malaria test (I don’t have malaria, Mom, you can exhale).
    A muzungu (a sight far more common on the coast than it had been upcountry) boarded several stops after. Hale and tan in the way that Northern Europeans tan—russet, rather than gold—he must have been around 70. His thick white hair and beard shone starkly amongst the rows of shaved Kenyan skulls.
    He sat by the door, and when we stopped to let off passengers, he held out a coin (50 kesh—50 cents—, I think) to a small boy a few yards away.
    A man carried the boy over to accept the gift. As the matatu began to roll away, the white-bearded man said in a thick (Dutch?) accent, “It’s for him [the boy]! Not you—him!” Thus ensuring that his gift would not fall into other hands, he sat back, satisfied.
    This foreigner bestowed his gift with the ease of frequent practice. His manner brought to mind other tourists I have seen in other places, of a similar ilk.
    Simply put, something about the gift—or rather, its giving—bothered me.
    Two years ago, far up in the Himalayan foothills, very small children would emerge from nowhere, holding out phantom hands and pleading eyes, and ask me and my trekking companions for “candy! candy!” or, even more baffling, “ball-oon. ball-oon.”
    From whence had come this peculiar fixation with candy and balloons? Well, from other trekkers, of course. Foreign hikers toting bags of candy—and balloons—to give to children along their path.
    There is something presumptuous—maybe—about giving unsolicited gifts to strangers. An assumption that we as outsiders know what is needed, and by whom. That we have a right to give when and to whom we wish, without asking anyone’s opinion. A whiff of a lingering imperialism, perhaps. (Of course, now these children do ask, having learned from experience to expect bounty of visitors.)
    I am reminded of a class I took on Jewish Ethics 10 years ago, about which I have not once thought in the interim… According to Maimonedes, there are eight levels of charity. The greatest, you may or may not have guessed, is to support another Jew (this merits another conversation entirely). The lowest, naturally, is to give unwillingly.
    Ringing in at number five: giving before one is asked.
    This may all be a bit off point, but Western altruism in Africa has a long and problematic history of unsolicited giving, unscrupulous giving, and giving without once thinking to ask what is desired or needed by the recipients.
    These sorts of giving smack of colonial condescension. Translated into 18th century garb, the image of the foreign man handing money to a Kenyan child becomes that of the beneficent overlord deigning to notice a black child, reaching down magnanimously from his carriage with the gift.
    I do not think I exaggerate so greatly in this leap of imagination.
    Sharing food and games in Phnom Penh.
    Surely, you might say, I don’t need to ask to know that a starving child needs food, or that a village with no well needs potable water. Yes, there are certain basic needs, but no, you can’t assume that you know best what they are and may thus dictate another’s priorities.
    In some touristic destinations, poverty is rampant, and in advising visitors to these places, study abroad or travel guides will usually take one of three tracks:
    1. Don’t give anything to anyone. Not to beggars, not to children, not even to new friends. Just don’t, because one friendly gesture of generosity will call upon your head a veritable surge of unanticipated requests.
    2. Bring gifts that are useful—flashlights, notebooks, clothing, etc.—to give to hosts or friends. You will be offering something worthwhile, not a symbolic gesture doomed to sit on a shelf beside its untouched kin.
    3. If you are going to give a stranger something, give them food. Children, especially, almost certainly need it, and your gift will not be misused or appropriated, as money so often is.
    Other responses include: giving to a reputable non-profit, thus ensuring (in theory) that your money will be well spent; sponsoring an individual’s schooling; or offering skills or instruction, which has no (or greater) monetary value.
    I don’t have a set position on the question. All of these suggestions have merit. Personally, I am disillusioned by the distribution of spending in corporation-sized non-profits, and I much prefer the work of grassroots organizations that work in tandem with local communities. I love the option of sharing food; I think it is the most human of acts, and almost universally understood and appreciated. Sharing skills—if you have them—equally so. Material gifts are tricky. I lived with a home-stay family in Kathmandu who had an entire shelf of unused gifts from other guests like me—picture books, snow globes, and salt-water taffy, all untouched and unopened. I don’t know about the worth of gifts that serve no function beyond expressing gratitude for hospitality.
    And then, even if you do ask a community what it is they want, you will not receive a unified answer. Children may indeed want bicycles and candy—and balloons. Male elders will not seek the same help as women; each may have different priorities.

    But if you want to help the “poor, starving children of Africa” (a platitude which, to my absolute shock, some tourists have actually employed), don’t throw up your hands in despair. I think doing good begins with good intentions. Do, however, leave your presumption, your condescension and your self-importance at home. Be mindful of these complexities in your giving.
    ~
  • That Sand in your Toes Feeling

    Today was a gorgeous day at Diani Beach. For the first time in a long time, I felt poetry pushing at my fingertips. I hope it will transport you to where I am, if just for a moment…

    ~


    You know that feeling
    of sand slipping between
    your toes
    like silk ribbons,
    so soft and yielding
    you could almost
    sink your heels to the center
    of the earth?
    Take my hand,
    and follow me there.
    Kick off your shoes here—
    Yes, here at the edge—
    you won’t need them.
    Squint a little
    against the glare—
    white white sand too bright
    to look at.
    There.
    Where the sand forms
    miniature dunes
    in the shifting wind.
    Before the damp, packed
    floor of high tide.
    Just there—
    Try on a pair of sand slippers
    for size.
    Material so fine
    it will hug every millimeter
    of your toenails
    and soothe your soles
    like nothing before.
    Dig deeper,
    and feel the cool gasp
    of another layer,
    untouched by the sun.
    Drink the salt breeze
    in your hair.
    Stay as long as you like.
    Watch the waves carry
    blown glass jellyfish
    and green sea tangle
    In and away.
    When you’re ready,
    brush off your feet with
    sandpaper fingers,
    and put your shoes back on.
    Shade your eyes
    for one last look
    at that sand between your toes feeling.
    ~
  • Rusinga Island, Lake Victoria, Kenya

    Here, I am Muzungu: foreign, white, outsider. Kids yell after us as we pass on foot (or, after realizing the walk from Mbita is at least an hour, on pika pika, moto-taxi). It hasn’t gotten old quite yet.
    There is something… there is something about the impossibility of fitting in that has always challenged me in the best of ways. In Nepal and India, no matter the effort I made to wear the right clothing, to learn the language, to immerse, I was always patently, immutably other. Here too—I can already tell.
    In Europe, not so much. I have a face that can appear French, Italian, Slavic or even Turkish according to context. Without my backpack, I can walk through a city unmolested, my status as tourist unknown, and blend into the crowd of a subway car. The chameleon has many merits, and I have certainly enjoyed exploring new places in the guise of a local.
    And on the other hand, I do not like the constant attention, stares of curiosity, shouts, deference and, conversely, hostility I receive when I travel as an obvious tourist. I certainly do not like being singled out by the Nairobi police as an easy source of a bribe, and I do not like the behavior of those men who seem to believe that as a foreigner I do not warrant the same respect as women of their own race.
    But still, there is something.
    There is something about the impossibility of fitting in that I do like. Standing out, not because of a voluntarily articulated identifier like religion, sexuality, or dress, but because of an immediately evident, insuppressible feature like skin color—like eye color, height, even language, too.
    That experience was very rare growing up in Boston, or going to school at Middlebury College. And I think most people, of all backgrounds, shy away from it because it is uncomfortable. It is inescapable. It can be exhausting and challenging. It is also, I think, important.
    There is something about the impossibility of fitting in that forces us to confront the reality of our otherness—no greater or lesser than anyone else’s. Amongst so many other reasons, perhaps that is why I travel. It is too easy to fall into the comfortable trap of sameness. Surrounded by people who look— and maybe more significantly behave speak dress and think—like us, we relax not into multiplicity, but into uniformity.
    I would rather learn how to be equally at home in my otherness as I am in my belonging.
    ~

    Home for the moment.
    Here at the western edge of Kenya, the roads are dirt and dust. An energy center in town offers drinking water, internet and computer use, solar energy and more to residents. Wifi is scattered at best.
    At the Wayando Beach Eco-Lodge, our neighbors appear to be hippos to one side and nonstop music to the other. I will teach yoga at 7:30 in the morning… if anyone shows up. I serve Tusker Pilsner to guests and fry Tilapia fresh from the lake for dinner. I have seen three different jewel-colored birds—ruby, emerald, sapphire—since writing that sentence.
    The sun burns hot at midday, but the nights bring light rain and heavy wind, and I am happy for the warm blanket in my tent.
    Eco-lodge means sawdust-composting latrines, round, self-contained huts for guests, and lake water showers (don’t worry— it’s treated for parasites). It also means fresh papaya, mango, bananas, ginger, arugula, peppers, passion fruit and sweet potato from the garden.
    We will spend two weeks here, or hopefully longer…
    To Be Continued.

    ~
  • Zanzibar!

    Have you ever written a sonnet?*

    A sonnet’s beauty and difficulty both lie in the restraints placed around its form. Fourteen lines, iambic pentameter, and a rhyme scheme of a-b-a-b;c-d-c-d;e-f-e-f;g-g, the sonnet is no quick jaunt on a summer day. It is hard work to fit depth of thought and poetic sentiment within its narrow frame. But when it works, it’s magic: the sonnet emerges as just reward for the poet’s pains.

    This trip I have just begun (arriving in Paris on November 17th, and checking in now from Barcelona) is a bit like writing a sonnet.

    Why?

    Have I mentioned that I am traveling with my partner? And have I mentioned that said partner is traveling on a Ghanaian passport– a document that grants today’s international traveler few privileges?

    Well, I am, and he is.

    We arrived in Europe knowing that we would have to leave within 30 days– the length of his visa. Yesterday, we returned from the Moroccan Consulate in Barcelona giddy with disbelief. We would not continue on to Morocco by ferry as we had expected.

    Why?

    Because one week prior the Consulate had received instruction to grant Moroccan visas only to residents of the Barcelona area. We would have to return to the U.S. or Ghana now to apply.

    And so we are back to square one. The fourteen lines, iambic pentameter and strict rhyme scheme of travel sonnets and bureaucratic poetry close in ever tighter.

    The following two maps represent our respective “green zones” for international travel. Green and yellow mean we can obtain visas on arrival or do not need them. Gray typically entails a lengthy visa application process, and often the necessity of returning to the U.S. to undertake it.

    Were you to lay one map on top of the other, the world would be mostly gray.

    Add to that the places we do not wish to travel, for various safety concerns, and the gray spreads farther still.

    Yet even as borders tighten and possibilities shrink before my eyes, I feel an odd sense of freedom then, faced by our obstacles. When our plans shatter and we are forced to return with all haste to the drawing board, we have to opportunity to create a sonnet of exceptional spontaneity.

    Where will we go now?

    To Zanzibar! (You may have guessed it.) City of rare consonants that beckons my imagination to wander. To East Africa. Nairobi, Kenya first, in fact– though its lack of Z’s renders it a less tempting contender for title line– then on to Botswana and Tanzania and maybe South Africa.

    I hope the sonnet that emerges is worth all the trouble.

    ~

    *[The credit for this analogy goes to a friend– he managed to express perfectly the nature of this trip.]